But, one could argue, is this not the very nature of anything Autobiographical? When we separate the word and explore its etymology, we get three elements:
AUTO BIO GRAPHY
Autos: Meaning 'The Self' in Greek
Bios: Meaning 'Social life' in Greek - As life not in the natural world, but in one confined by social constructions
Graphy: Originating from 'Graphein', the Greek word for writing.
When the word is put together and formed into a genre, it is clear that the subject will be of an individual's written experience of being part of an organised social structure. It will explore the nature of interaction with the external, through internal reflection, into an external form; It is taking in the world, processing the feelings this experience gives you, and putting something that explains them back into the world. In the broadest sense, one could argue that this is the singular criteria all Confessional poetry must meet - a bridge in the gap between the external world and the internal individual.
*There's a really interesting section that looks into this, read 'Versions of the Truth', by following this link http://books.google.co.uk/books?hl=en&lr=&id=NUCytyOEYbAC&oi=fnd&pg=PA263&dq=confessional+poetry&ots=0LwJQG7B9i&sig=h_LwV7jhMq5dpvdb0g2uZ_hrLIk#v=onepage&q=confessional%20poetry&f=false
Cameron, Spurr. Hsc Advanced English. 'Ted Hughes, Birthday Letters' (Pascal Press:2009) p261
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